Listen to real artist demos alongside our completed vocal mixes. Each example highlights a different starting point. From tuning and tonal balance to dynamics, clarity, and spatial effects.

For the most accurate comparison, listen through headphones or studio monitors.

Hear the Difference

01 - CORY - “MESS IT UP”

Tuning • Balance • Reverb Control

The artist’s demo had loose tuning, excessive reverb, harsh upper frequencies, and heavy compression that reduced the vocal’s impact.

For the finished mix, we refined the tuning, controlled the ambience and harshness, and created a clearer, more balanced vocal that sits confidently over the instrumental.

Mess It Up BEFORE
CoryTheCool
Mess It Up AFTER
CoryTheCool

02 - PMX - “I’ll Be Here a While”

Clarity • Vocal Balance • Spatial Effects

In the original demo, the vocal was masked by the instrumental, lacked clarity, and had very little depth or movement.

We brought the lead vocal forward, improved its clarity, and added purposeful spatial effects to create more width, depth, and interest without sacrificing intelligibility.

I'll Be Here BEFORE
PMX
I'll Be Here AFTER
PMX

03 - VIIZ - “MADE TO SHINE”

Tone • Body • Depth

The original vocal sounded thin and overly midrange-focused, with very little sense of space around the performance.

We added body, smoothed the honky midrange, and introduced controlled depth so the vocal felt fuller, more polished, and better integrated with the instrumental.

Made to Shine BEFORE
Viiz
Made to Shine AFTER
Viiz

04 - SWAMPFACE - “ORIGIN STORY”

Dynamics • Presence • Vocal Placement

The original vocal levels were inconsistent, causing parts of the performance to become buried behind the instrumental.

We controlled the dynamics, brightened the vocal tone, and improved the overall balance to create a more consistent, present, and forward vocal.

Origin Story BEFORE
SwampFace
Origin Story AFTER
SwampFace

05 - ALESSIO - “LO SCEMO”

Tuning • Depth • Low-Mid Control

The original vocal felt distant, needed tighter pitch correction, and had spatial effects creating excessive low-mid buildup.

I refined the tuning, cleaned up the boominess in the effects, and brought the vocal forward while preserving an appropriate sense of space.

Lo Scemo BEFORE
Alessio
Lo Scemo AFTER
Alessio

Testimonials